Tu Guang Qi (1914 -1980), also known as ε± ε ε. His original name was Tu Guangqi, and he was from Shaoxing, Zhejiang. He originally studied at Hangchow University. In 1935, he was admitted to the National School of Drama in Nanjing, graduating in 1937. In the same year, the War of Resistance broke out, and he served as a drama section staff member in the Seventh Division of the Third Department of the Political Bureau of the Military Affairs Commission. In 1939, he moved from Wuhan to the Shan...
Tu Guang Qi (1914 -1980), also known as ε± ε ε. His original name was Tu Guangqi, and he was from Shaoxing, Zhejiang. He originally studied at Hangchow University. In 1935, he was admitted to the National School of Drama in Nanjing, graduating in 1937. In the same year, the War of Resistance broke out, and he served as a drama section staff member in the Seventh Division of the Third Department of the Political Bureau of the Military Affairs Commission. In 1939, he moved from Wuhan to the Shanghai foreign concessions and joined the Shanghai Drama Society to perform in stage plays, including *Flowers Spilling Tears*, *The Deep Abyss*, and *Ge Nianniang*. *Ge Nianniang* was a massive box office hit that caused a sensation at the time. Zhang Shankun then adapted the stage play into a film titled ***Ge Nianniang*** (1939) under the name of Huacheng Film Company. Tu reprised his original role in the film, which was also the first motion picture he acted in.
After the victory of the War of Resistance, he adapted the stage play *The Wild Rose* into the film ***Spy Number One*** (1946) for the Third Studio of the Central Motion Picture Corporation in Peiping (now Beijing), starring Ouyang Shafei. The film tells the heroic story of a Chinese female spy lurking in the home of a traitor; with its twists and thrilling romance, it was a tremendous box office success and one of the most famous post-war Chinese films, which also brought Tu widespread fame. Following that, he directed ***A Tragic Marriage*** (1947), adapted from Xu Zhenya's famous tragic novel *Jade Pear Spirit*, which was also very popular. In addition, he established his own Qihua Film Company.
In 1950, invited by Zhang Shankun, he moved from Shanghai to Hong Kong to make films. The first film he directed in Hong Kong was ***To See the Clouds Roll*** (1950), produced by Zhang Shankun's Far East Film Company. ***Angel and Devil*** (1952), starring Chen Yunshang and marking the resumption of operations for Zhang Shankun's Xinhua Film Company, was also directed by Tu. During the 1950s, he primarily worked as a director for Xinhua Film Company, among which ***General Chai and Lady Balsam*** (1953) and ***The Dawn of China's Revolution*** (1953), both starring Li Lihua and based on historical figures, were his most successful and famous works. In 1963, Xinhua Company relocated to Taiwan and ended its film production operations in Hong Kong. Tu switched to directing Cantonese-language films for Wong Cheuk-hon's Ling Kwong Company. During the same period, he also directed several Teochew-dialect opera films. He temporarily stopped directing to write wuxia novels. In 1967, he joined Hong Kong's Cathay Organisation. The first wuxia film he directed for Cathay was ***The First Sword*** (1967), which was a solid box office success and also propelled actress Chen Manling to stardom. Afterward, he directed multiple wuxia films for Cathay until Cathay ended its Hong Kong film production operations in 1971. Tu's final directed film was ***Crush*** (1972). His last participation in film production was acting in ***The Valiant Ones*** (1975), directed by King Hu. He immigrated to the United States in 1973 and passed away from illness in Los Angeles on May 30, 1980.
Tu Guang Qi (1914 -1980), also known as ε± ε ε. His original name was Tu Guangqi, and he was from Shaoxing, Zhejiang. He originally studied at Hangchow University. In 1935, he was admitted to the National School of Drama in Nanjing, graduating in 1937. In the same year, the War of Resistance broke out, and he served as a drama section staff member in the Seventh Division of the Third Department of the Political Bureau of the Military Affairs Commission. In 1939, he moved from Wuhan to the Shanghai foreign concessions and joined the Shanghai Drama Society to perform in stage plays, including *Flowers Spilling Tears*, *The Deep Abyss*, and *Ge Nianniang*. *Ge Nianniang* was a massive box office hit that caused a sensation at the time. Zhang Shankun then adapted the stage play into a film titled ***Ge Nianniang*** (1939) under the name of Huacheng Film Company. Tu reprised his original role in the film, which was also the first motion picture he acted in.
After the victory of the War of Resistance, he adapted the stage play *The Wild Rose* into the film ***Spy Number One*** (1946) for the Third Studio of the Central Motion Picture Corporation in Peiping (now Beijing), starring Ouyang Shafei. The film tells the heroic story of a Chinese female spy lurking in the home of a traitor; with its twists and thrilling romance, it was a tremendous box office success and one of the most famous post-war Chinese films, which also brought Tu widespread fame. Following that, he directed ***A Tragic Marriage*** (1947), adapted from Xu Zhenya's famous tragic novel *Jade Pear Spirit*, which was also very popular. In addition, he established his own Qihua Film Company.
In 1950, invited by Zhang Shankun, he moved from Shanghai to Hong Kong to make films. The first film he directed in Hong Kong was ***To See the Clouds Roll*** (1950), produced by Zhang Shankun's Far East Film Company. ***Angel and Devil*** (1952), starring Chen Yunshang and marking the resumption of operations for Zhang Shankun's Xinhua Film Company, was also directed by Tu. During the 1950s, he primarily worked as a director for Xinhua Film Company, among which ***General Chai and Lady Balsam*** (1953) and ***The Dawn of China's Revolution*** (1953), both starring Li Lihua and based on historical figures, were his most successful and famous works. In 1963, Xinhua Company relocated to Taiwan and ended its film production operations in Hong Kong. Tu switched to directing Cantonese-language films for Wong Cheuk-hon's Ling Kwong Company. During the same period, he also directed several Teochew-dialect opera films. He temporarily stopped directing to write wuxia novels. In 1967, he joined Hong Kong's Cathay Organisation. The first wuxia film he directed for Cathay was ***The First Sword*** (1967), which was a solid box office success and also propelled actress Chen Manling to stardom. Afterward, he directed multiple wuxia films for Cathay until Cathay ended its Hong Kong film production operations in 1971. Tu's final directed film was ***Crush*** (1972). His last participation in film production was acting in ***The Valiant Ones*** (1975), directed by King Hu. He immigrated to the United States in 1973 and passed away from illness in Los Angeles on May 30, 1980.
