Abdelkrim Mohamed Derkaoui in arabic [عبد الكريم محمد الدرقاوي], is a director of photography , director and producer Moroccan .
Trained at the National Film School in Łódź , Poland , he is the brother of the director Mustapha Derkaoui and the uncle of the photo director Kamel Derkaoui .
Upon his return to Morocco, he became one of the most renowned directors of photography in the profession. In this capacity, he has worked on thirty feature-length fiction films, several short films , document...
Abdelkrim Mohamed Derkaoui in arabic [عبد الكريم محمد الدرقاوي], is a director of photography , director and producer Moroccan .
Trained at the National Film School in Łódź , Poland , he is the brother of the director Mustapha Derkaoui and the uncle of the photo director Kamel Derkaoui .
Upon his return to Morocco, he became one of the most renowned directors of photography in the profession. In this capacity, he has worked on thirty feature-length fiction films, several short films , documentaries and fiction, several TV movies , tele-serials and cultural programs.
From the day of the showman , shot in 1984, at The claws of the past , released in 2015, through Rue du Caire , in 1998 and "The terrible children of Casablanca", in 2010, his films are woven of correspondence, echoes or themes municipalities.
Abdelkrim Mohamed Derkaoui in arabic [عبد الكريم محمد الدرقاوي], is a director of photography , director and producer Moroccan .
Trained at the National Film School in Łódź , Poland , he is the brother of the director Mustapha Derkaoui and the uncle of the photo director Kamel Derkaoui .
Upon his return to Morocco, he became one of the most renowned directors of photography in the profession. In this capacity, he has worked on thirty feature-length fiction films, several short films , documentaries and fiction, several TV movies , tele-serials and cultural programs.
From the day of the showman , shot in 1984, at The claws of the past , released in 2015, through Rue du Caire , in 1998 and "The terrible children of Casablanca", in 2010, his films are woven of correspondence, echoes or themes municipalities.
