Apoorva Srinivasan is an Indian actress who works primarily in Telugu cinema, alongside appearances in Tamil and Kannada films.
She entered the film industry after winning the Hyderabad Times Fresh Face contest in 2012. She made her acting debut in Puri Jagannadh's Telugu action drama Temper (2015), which was followed by a role in Jyothi Lakshmi (2015).
Her subsequent Telugu screen appearances include supporting roles in Ekkadiki Pothavu Chinnavada (2016), Winner (2017), Tholi Prema (2018), Ka...
Apoorva Srinivasan is an Indian actress who works primarily in Telugu cinema, alongside appearances in Tamil and Kannada films.
She entered the film industry after winning the Hyderabad Times Fresh Face contest in 2012. She made her acting debut in Puri Jagannadh's Telugu action drama Temper (2015), which was followed by a role in Jyothi Lakshmi (2015).
Her subsequent Telugu screen appearances include supporting roles in Ekkadiki Pothavu Chinnavada (2016), Winner (2017), Tholi Prema (2018), Kavacham (2018), Prema Katha Chitram 2 (2019), and Neetho (2022). She made her Tamil debut with Ayogya (2019) and appeared in her first Kannada feature in a lead role in Randhawa (2019). On digital platforms, she featured in the Telugu streaming series Chitra Vichitram (2018).
Apoorva Srinivasan is an Indian actress who works primarily in Telugu cinema, alongside appearances in Tamil and Kannada films.
She entered the film industry after winning the Hyderabad Times Fresh Face contest in 2012. She made her acting debut in Puri Jagannadh's Telugu action drama Temper (2015), which was followed by a role in Jyothi Lakshmi (2015).
Her subsequent Telugu screen appearances include supporting roles in Ekkadiki Pothavu Chinnavada (2016), Winner (2017), Tholi Prema (2018), Kavacham (2018), Prema Katha Chitram 2 (2019), and Neetho (2022). She made her Tamil debut with Ayogya (2019) and appeared in her first Kannada feature in a lead role in Randhawa (2019). On digital platforms, she featured in the Telugu streaming series Chitra Vichitram (2018).
