Can Huang

Sutradara dan penulis skenario film Tiongkok Yan Huang (1911-1994) Pada tahun 1926, remaja Yan yang berusia 15 tahun mengambil bagian dalam Gerakan Petani Hunan dan menjabat sebagai petugas propaganda Asosiasi Petani Provinsi dan ketua Liga Anak Pedesaan Provinsi. Berpartisipasi dalam Pemberontakan Panen Musim Gugur pada tahun 1927 dan pergi ke Shanghai untuk melakukan pekerjaan bawah tanah untuk Liga Pemuda Komunis. Pada tahun 1929 ia masuk Departemen Musik Akademi Seni Rupa Shanghai. Dia bergabung dengan Universitas Seni Xinhua pada tahun berikutnya, dan juga berpartisipasi dalam Kantor Berita Nanguo dan gerakan drama sayap kiri, serta mengadaptasi dan menyutradarai drama "Maliu Tega". Pada tahun 1931, ia kembali ke Hunan dan menjabat sebagai guru sekolah menengah. Setelah tahun 1932, ia memprakarsai pengorganisasian perkumpulan penelitian akademis berskala besar. Pada tahun 1936, ia pergi ke Hangzhou untuk mendirikan teater anak-anak, membuat drama anak-anak "Anak-anak Tanpa Ibu", dan berpartisipasi dalam organisasi Teater Bergerak Zhejiang. Pada tahun 1938, ia berpartisipasi dalam Tim Layanan Medan Perang Pemuda di Teater Kelima Gunung Dabie dan menjabat sebagai instruktur seni. Pada tahun 1939, ia berpartisipasi dalam Tentara Keempat Baru dan menjabat sebagai direktur artistik Kelompok Drama Anti-musuh di markas besar Tentara Keempat Baru di Jiangbei. Pada tahun 1941, ia menjabat sebagai kepala bagian sastra dan seni di Departemen Promosi Politik Divisi Kedua Angkatan Darat Keempat Baru. Pada tahun 1942, ia menjabat sebagai kepala Divisi Kedua Resimen Kebudayaan. Pada tahun 1945 ia diangkat kembali menjadi kepala Korps Seni Militer. Selama Perang Perlawanan Melawan Jepang, ia menulis drama "Sisters of Righteousness", "Nanjing Dream", "Empty Room", "Broken Body", "Fisher Girl", dan opera "Gaojiazhuang". Sutradara opera "Gadis Berambut Putih", "Musik Pedesaan", drama "Lee Chuang", "The Last Order", "Don't Kill Him", dll. Selama Perang Kemerdekaan, ia menjabat sebagai kepala Resimen Kebudayaan Departemen Politik Tentara Lapangan Tiongkok Timur, dan menulis drama "Pertempuran Zaozhuang" dan "Di Jembatan Kanal". Pada akhir tahun 1948, ia dipindahkan ke Komite Manajemen Militer Beiping dan menjabat sebagai kepala sekretariat Komite Kebudayaan dan Pendidikan. Pada Mei 1949, ia dipindahkan ke Komite Manajemen Militer Nanjing sebagai direktur komite seni dan budaya dari Komite Kebudayaan dan Pendidikan. Setelah berdirinya Republik Rakyat Tiongkok, ia dipindahkan ke direktur Biro Film Kementerian Kebudayaan. Segera dia terlibat dalam pekerjaan sutradara film dan menjabat sebagai asisten sutradara "Long Xu Gou" dan film lainnya. Pada tahun 1955, ia menjadi sutradara bayangan panjang, dan berturut-turut menyutradarai film layar lebar "Tiger Hole Tracking", "Mom Wants Me to Get Married", "Blue Cloud Song", mengadaptasi dan menyutradarai "The Son of the Militia", menulis dan menyutradarai "Shen Yangshou", dan bekerja sama dengan Zhang Qi. Dia mengundurkan diri pada tahun 1983.

Chinese film director and screenwriter Yan Huang (1911-1994) In 1926, 15-year teen Yan take part in the Hunan Peasant Movement and served as the propaganda officer of the Provincial Farmers Association and the chairman of the Provincial Rural Children's League. Participated in the Autumn Harvest Uprising in 1927 and went to Shanghai to do underground work for the Communist Youth League. In 1929 he entered the Music Department of Shanghai Academy of Fine Arts. He joined Xinhua University of the Arts the following year, and also participated in the Nanguo News Agency and the left-wing drama movement, and adapted and directed the play "Maliu Tega". In 1931, he returned to Hunan and served as a middle school teacher. After 1932, he initiated the organization of a large-scale academic research society. In 1936, he went to Hangzhou to set up a children's theater, created a children's play "Children without Mothers", and participated in the organization of Zhejiang Mobile Theater. In 1938, he participated in the Youth Battlefield Service Team in the Fifth Theater of Dabie Mountain and served as an art instructor. In 1939, he participated in the New Fourth Army and served as the artistic director of the Anti-enemy Drama Troupe of the Jiangbei headquarters of the New Fourth Army. In 1941, he served as the head of the literature and art section of the Political Promotion Department of the Second Division of the New Fourth Army. In 1942, he served as the head of the Second Division of the Cultural Regiment. In 1945 he was re-designated as the head of the Military Art Corps. During the War of Resistance Against Japan, he wrote plays "Sisters of Righteousness", "Nanjing Dream", "Empty Room", "Broken Body", "Fisher Girl", and opera "Gaojiazhuang". Director of the opera "White Haired Girl", "Rural Music", drama "Lee Chuang", "The Last Order", "Don't Kill Him", etc. During the Liberation War, he served as the head of the Cultural Regiment of the Political Department of the East China Field Army, and wrote plays "Zaozhuang Battle" and "On the Canal Bridge". At the end of 1948, he was transferred to the Beiping Military Management Committee and served as the chief of the secretariat of the Culture and Education Committee. In May 1949, he was transferred to the Nanjing Military Management Committee as the director of the arts and culture committee of the Culture and Education Committee. After the founding of the People's Republic of China, he was transferred to the director of the Film Bureau of the Ministry of Culture. Soon he was engaged in film director work and served as an assistant director of "Long Xu Gou" and other films. In 1955, he was the director of the long shadow, and successively directed the feature films "Tiger Hole Tracking", "Mom Wants Me to Get Married", "Blue Cloud Song", adapted and directed "The Son of the Militia", wrote and directed "Shen Yangshou", and cooperated with Zhang Qi. He resigned in 1983.