Carrie is an award-winning writer, producer and performer of classical and popular music. Following brief spells as the lead singer and songwriter for bands Our Momentum and Stereocandii, Carrie found notable solo success when she penned the topline for ‘Revolving Door’ by Closer to Infinity. The track’s lilting chords achieved iconic status, when in 2015, it was featured on Crimewatch USA. Carrie provides music coaching at Seahaven Music and is the principal flautist for the Brighton and Hove A...
Carrie is an award-winning writer, producer and performer of classical and popular music. Following brief spells as the lead singer and songwriter for bands Our Momentum and Stereocandii, Carrie found notable solo success when she penned the topline for ‘Revolving Door’ by Closer to Infinity. The track’s lilting chords achieved iconic status, when in 2015, it was featured on Crimewatch USA. Carrie provides music coaching at Seahaven Music and is the principal flautist for the Brighton and Hove Arts Orchestra and the Alto flautist of Just Flutes Group, Croydon. Carrie studied Music at the Brighton Institute of Modern Music (BIMM) between 2011 - 2014 and Creative Enterprise and Innovation at WaterBear in 2020, where she explored the potential of technology integration in live performance spaces.
Carrie is an award-winning writer, producer and performer of classical and popular music. Following brief spells as the lead singer and songwriter for bands Our Momentum and Stereocandii, Carrie found notable solo success when she penned the topline for ‘Revolving Door’ by Closer to Infinity. The track’s lilting chords achieved iconic status, when in 2015, it was featured on Crimewatch USA. Carrie provides music coaching at Seahaven Music and is the principal flautist for the Brighton and Hove Arts Orchestra and the Alto flautist of Just Flutes Group, Croydon. Carrie studied Music at the Brighton Institute of Modern Music (BIMM) between 2011 - 2014 and Creative Enterprise and Innovation at WaterBear in 2020, where she explored the potential of technology integration in live performance spaces.
