Corey Hughes is a Baltimore-based filmmaker working across narrative, documentary, and experimental forms. His work has premiered at International Film Festival Rotterdam, Sundance, SXSW, New York Film Festival, CPH:DOX, and Locarno Film Festival, where he was awarded the Pardi di Domani Special Jury Prize for the short film "Armageddon 2." As a cinematographer, his credits include Marnie Ellen Hertzler’s "Crestone" (2020) and Theo Anthony’s "All Light, Everywhere" (2021) which was awarded the S...
Corey Hughes is a Baltimore-based filmmaker working across narrative, documentary, and experimental forms. His work has premiered at International Film Festival Rotterdam, Sundance, SXSW, New York Film Festival, CPH:DOX, and Locarno Film Festival, where he was awarded the Pardi di Domani Special Jury Prize for the short film "Armageddon 2." As a cinematographer, his credits include Marnie Ellen Hertzler’s "Crestone" (2020) and Theo Anthony’s "All Light, Everywhere" (2021) which was awarded the Sundance Jury Award for Nonfiction Experimentation and a CinemaEye Honor Nomination for Outstanding Cinematography.
Corey Hughes is a Baltimore-based filmmaker working across narrative, documentary, and experimental forms. His work has premiered at International Film Festival Rotterdam, Sundance, SXSW, New York Film Festival, CPH:DOX, and Locarno Film Festival, where he was awarded the Pardi di Domani Special Jury Prize for the short film "Armageddon 2." As a cinematographer, his credits include Marnie Ellen Hertzler’s "Crestone" (2020) and Theo Anthony’s "All Light, Everywhere" (2021) which was awarded the Sundance Jury Award for Nonfiction Experimentation and a CinemaEye Honor Nomination for Outstanding Cinematography.
