Curtis Choy is an accomplished filmmaker and cinematographer best known for telling Asian/Asian American histories. He is one filmmaker who has been in the Asian American movement from the very beginning, and remains active to this day. To call him an unsung hero is not exactly correct: everyone in the Asian American film world acknowledges his skill and stature. He worked on Wayne Wang’s seminal Chan is Missing (1982), Arthur Dong’s award-winning Forbidden City U.S.A. (1989), Wang’s breakthroug...
Curtis Choy is an accomplished filmmaker and cinematographer best known for telling Asian/Asian American histories. He is one filmmaker who has been in the Asian American movement from the very beginning, and remains active to this day. To call him an unsung hero is not exactly correct: everyone in the Asian American film world acknowledges his skill and stature. He worked on Wayne Wang’s seminal Chan is Missing (1982), Arthur Dong’s award-winning Forbidden City U.S.A. (1989), Wang’s breakthrough The Joy Luck Club (1993), Chris Chan Lee’s beloved Yellow (1998), Tony Bui’s international hit Three Seasons (1999), Gene Cajayon’s immortal The Debut (2000), and of course Justin Lin’s game-changing Better Luck Tomorrow (2002). He’s Curtis Choy, sound recordist and sound mixer. And he’s got the most impressive resume in all of Asian American cinema.
Curtis Choy is an accomplished filmmaker and cinematographer best known for telling Asian/Asian American histories. He is one filmmaker who has been in the Asian American movement from the very beginning, and remains active to this day. To call him an unsung hero is not exactly correct: everyone in the Asian American film world acknowledges his skill and stature. He worked on Wayne Wang’s seminal Chan is Missing (1982), Arthur Dong’s award-winning Forbidden City U.S.A. (1989), Wang’s breakthrough The Joy Luck Club (1993), Chris Chan Lee’s beloved Yellow (1998), Tony Bui’s international hit Three Seasons (1999), Gene Cajayon’s immortal The Debut (2000), and of course Justin Lin’s game-changing Better Luck Tomorrow (2002). He’s Curtis Choy, sound recordist and sound mixer. And he’s got the most impressive resume in all of Asian American cinema.
