Dan Ar Braz (born Daniel Le Bras on 15 January 1949 in Quimper) is a Breton guitarist-singer-composer and the founder of L'Héritage des Celtes, a 50-piece Pan-Celt band. Leading guitarist in Celtic music, he recorded as a soloist and with Celtic harp player Alan Stivell. He represented France in the Eurovision Song Contest 1996.
At the age of 13, Daniel Le Bras obtained his first guitar after teaching himself how to play, inspired by guitarists like Hank Marvin, Bert Jansch, and Pretty Things....
Dan Ar Braz (born Daniel Le Bras on 15 January 1949 in Quimper) is a Breton guitarist-singer-composer and the founder of L'Héritage des Celtes, a 50-piece Pan-Celt band. Leading guitarist in Celtic music, he recorded as a soloist and with Celtic harp player Alan Stivell. He represented France in the Eurovision Song Contest 1996.
At the age of 13, Daniel Le Bras obtained his first guitar after teaching himself how to play, inspired by guitarists like Hank Marvin, Bert Jansch, and Pretty Things. Daniel's father insisted that he study catering instead of music. At the age of 17, he performed locally in Bal-musette, interpreting folk-rock songs by Donovan, Van Morrison, and Rory Gallagher.
In 1967, Bras met Breton harpist and singer Alan Stivell who invited him to join his group. Alan Stivell and his musicians embraced Breton, Scottish, and Irish music, and were also later joined by Gabriel Yacoub to form Malicorne. Alan's father had made a reconstruction of the ancient Breton harp in 1953, and Alan learned to play the harp, bagpipes, and Irish flute.
Stivell opened Bras's eyes to the possibilities of Celtic music and its proximity with rock. Stivell rebranded Daniel Le Bras as "Dan Ar Bras" to show that he belonged to Breton culture rather than French culture. In 1971, with "Pop Plinn", "for the first time rock music was put in service for a traditional Breton dance song." His electric guitar made the "essential element of Stivell's sound for more than a decade" and made contributions to nine of Stivell's albums, including the influential "Renaissance of the Celtic Harp" and "Olympia Concert" in 1972. After a successful tour in France in 1972–73, Breton Music was undergoing a revival and they traveled around Europe, North America, and Australia.
At the same time in 1972, Dan Ar Bras formed his own group called Mor. Compared to Stivell's group, this was the middle-of-the-road and it broke up shortly after recording one album, Stations, released in 1973.
In 1976, Braz relocated to Oxfordshire and joined the band Fairport Convention. He changed his name to Dan Ar Braz (with a "z"), and for about a year he toured with Fairport but did not record any studio albums with them. This experience allowed him to cot for long-term Anglophone musicians (Dave Pegg, Rory Gallagher, etc.) and to make the cover of Melody Maker (February 1976).
Homesick for Brittany, Braz released the instrumental progressive folk album, "Douar Nevez" in 1977. In three years, he recorded three Celtic music solo-albums. By this time, he was making sales in the United States. ...
Source: Article "Dan Ar Braz" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Dan Ar Braz (born Daniel Le Bras on 15 January 1949 in Quimper) is a Breton guitarist-singer-composer and the founder of L'Héritage des Celtes, a 50-piece Pan-Celt band. Leading guitarist in Celtic music, he recorded as a soloist and with Celtic harp player Alan Stivell. He represented France in the Eurovision Song Contest 1996.
At the age of 13, Daniel Le Bras obtained his first guitar after teaching himself how to play, inspired by guitarists like Hank Marvin, Bert Jansch, and Pretty Things. Daniel's father insisted that he study catering instead of music. At the age of 17, he performed locally in Bal-musette, interpreting folk-rock songs by Donovan, Van Morrison, and Rory Gallagher.
In 1967, Bras met Breton harpist and singer Alan Stivell who invited him to join his group. Alan Stivell and his musicians embraced Breton, Scottish, and Irish music, and were also later joined by Gabriel Yacoub to form Malicorne. Alan's father had made a reconstruction of the ancient Breton harp in 1953, and Alan learned to play the harp, bagpipes, and Irish flute.
Stivell opened Bras's eyes to the possibilities of Celtic music and its proximity with rock. Stivell rebranded Daniel Le Bras as "Dan Ar Bras" to show that he belonged to Breton culture rather than French culture. In 1971, with "Pop Plinn", "for the first time rock music was put in service for a traditional Breton dance song." His electric guitar made the "essential element of Stivell's sound for more than a decade" and made contributions to nine of Stivell's albums, including the influential "Renaissance of the Celtic Harp" and "Olympia Concert" in 1972. After a successful tour in France in 1972–73, Breton Music was undergoing a revival and they traveled around Europe, North America, and Australia.
At the same time in 1972, Dan Ar Bras formed his own group called Mor. Compared to Stivell's group, this was the middle-of-the-road and it broke up shortly after recording one album, Stations, released in 1973.
In 1976, Braz relocated to Oxfordshire and joined the band Fairport Convention. He changed his name to Dan Ar Braz (with a "z"), and for about a year he toured with Fairport but did not record any studio albums with them. This experience allowed him to cot for long-term Anglophone musicians (Dave Pegg, Rory Gallagher, etc.) and to make the cover of Melody Maker (February 1976).
Homesick for Brittany, Braz released the instrumental progressive folk album, "Douar Nevez" in 1977. In three years, he recorded three Celtic music solo-albums. By this time, he was making sales in the United States. ...
Source: Article "Dan Ar Braz" from Wikipedia in English, licensed under CC-BY-SA 3.0.
