One of the most influential artists living and working in the United States, David Hammons makes art across mediums using strategies of refusal, humor, and provocation. Often centering his own experience as a Black American, over the past five decades, Hammons has addressed issues of race, class, art history, the legacy of slavery, and the experience of being an outsider. Born in 1943 in Springfield, Illinois, Hammons moved to Los Angeles in 1963 to study art. After stints at Los Angeles City Co...
One of the most influential artists living and working in the United States, David Hammons makes art across mediums using strategies of refusal, humor, and provocation. Often centering his own experience as a Black American, over the past five decades, Hammons has addressed issues of race, class, art history, the legacy of slavery, and the experience of being an outsider. Born in 1943 in Springfield, Illinois, Hammons moved to Los Angeles in 1963 to study art. After stints at Los Angeles City College and the Los Angeles Trade and Technical College, he began taking night classes at Otis Art Institute with realist artist and activist Charles White. After relocating to New York in 1974, Hammons started his lifelong practice of making sculptures from the highly charged detritus of urban African American life, including hair gathered from barbershop floors, chicken bones, bottle caps, and empty liquor bottles. From landmark actions like his Bliz-aard Ball Sale (1983), in which Hammons sold snowballs of different sizes on a New York City sidewalk, to his most recent paintings whose surfaces are obscured by tarpaulins, burlap, or old furniture, such as Untitled, his work has contributed to an ongoing discussion about the role of the artist and the value of art in a world beyond the pampered precincts of the museum or gallery.
One of the most influential artists living and working in the United States, David Hammons makes art across mediums using strategies of refusal, humor, and provocation. Often centering his own experience as a Black American, over the past five decades, Hammons has addressed issues of race, class, art history, the legacy of slavery, and the experience of being an outsider. Born in 1943 in Springfield, Illinois, Hammons moved to Los Angeles in 1963 to study art. After stints at Los Angeles City College and the Los Angeles Trade and Technical College, he began taking night classes at Otis Art Institute with realist artist and activist Charles White. After relocating to New York in 1974, Hammons started his lifelong practice of making sculptures from the highly charged detritus of urban African American life, including hair gathered from barbershop floors, chicken bones, bottle caps, and empty liquor bottles. From landmark actions like his Bliz-aard Ball Sale (1983), in which Hammons sold snowballs of different sizes on a New York City sidewalk, to his most recent paintings whose surfaces are obscured by tarpaulins, burlap, or old furniture, such as Untitled, his work has contributed to an ongoing discussion about the role of the artist and the value of art in a world beyond the pampered precincts of the museum or gallery.
