From Wikipedia, the free encyclopedia. He Jianjun began his film career like many of his contemporaries at the Beijing Film Academy, China's premiere film school. Upon graduating in 1990,as well as a screenwriter for Chen Kaige's King of the Children (1987), before his debut film, Red Beads, was released in 1993 to strong reviews in the west. Filmed in only twelve days, Red Beads was based on the experiences of one of He's classmates, who had a psychotic break.
While Red Beads would win a FIPR...
From Wikipedia, the free encyclopedia. He Jianjun began his film career like many of his contemporaries at the Beijing Film Academy, China's premiere film school. Upon graduating in 1990,as well as a screenwriter for Chen Kaige's King of the Children (1987), before his debut film, Red Beads, was released in 1993 to strong reviews in the west. Filmed in only twelve days, Red Beads was based on the experiences of one of He's classmates, who had a psychotic break.
While Red Beads would win a FIPRESCI award in the 1993 International Film Festival Rotterdam, the film also caught the wrath of Chinese censors, who blacklisted He Jianjun in 1994 along with several other prominent filmmakers, including Tian Zhuangzhuang, Wang Xiaoshuai, Wu Wenguang, Zhang Yuan, and Ning Dai.
Because of the blacklisting, He Jianjun had to smuggle out his next film, Postman for post-production.
Description above from the Wikipedia article He Jianjun, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia. He Jianjun began his film career like many of his contemporaries at the Beijing Film Academy, China's premiere film school. Upon graduating in 1990,as well as a screenwriter for Chen Kaige's King of the Children (1987), before his debut film, Red Beads, was released in 1993 to strong reviews in the west. Filmed in only twelve days, Red Beads was based on the experiences of one of He's classmates, who had a psychotic break.
While Red Beads would win a FIPRESCI award in the 1993 International Film Festival Rotterdam, the film also caught the wrath of Chinese censors, who blacklisted He Jianjun in 1994 along with several other prominent filmmakers, including Tian Zhuangzhuang, Wang Xiaoshuai, Wu Wenguang, Zhang Yuan, and Ning Dai.
Because of the blacklisting, He Jianjun had to smuggle out his next film, Postman for post-production.
Description above from the Wikipedia article He Jianjun, licensed under CC-BY-SA, full list of contributors on Wikipedia.
