From Wikipedia, the free encyclopedia.
James Ellroy (born March 4, 1948) is an American crime fiction writer and essayist. Ellroy has become known for a so-called "telegraphic" prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987), The Big Nowhere (1988), L.A. Confidential (1990), White Jazz (1992), American Tabloid (1995), The Cold Six Thousand (2001), and Blood's a Rov...
From Wikipedia, the free encyclopedia.
James Ellroy (born March 4, 1948) is an American crime fiction writer and essayist. Ellroy has become known for a so-called "telegraphic" prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987), The Big Nowhere (1988), L.A. Confidential (1990), White Jazz (1992), American Tabloid (1995), The Cold Six Thousand (2001), and Blood's a Rover (2009).
Description above from the Wikipedia article James Ellroy, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia.
James Ellroy (born March 4, 1948) is an American crime fiction writer and essayist. Ellroy has become known for a so-called "telegraphic" prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987), The Big Nowhere (1988), L.A. Confidential (1990), White Jazz (1992), American Tabloid (1995), The Cold Six Thousand (2001), and Blood's a Rover (2009).
Description above from the Wikipedia article James Ellroy, licensed under CC-BY-SA, full list of contributors on Wikipedia
