Karel Doing (1965, Canberra, Australia) is an independent artist, filmmaker and researcher. His interest in experimental film and expanded cinema is reframed within a critical approach toward modernity and post-modernity, in search of new meanings of the real and the material. Through the study of (phyto)chemical process, the recording of oral history and the (re)use of cinematic heritage he explores alternative knowledge systems. In many of his works the rhythmical, painterly and performative q...
Karel Doing (1965, Canberra, Australia) is an independent artist, filmmaker and researcher. His interest in experimental film and expanded cinema is reframed within a critical approach toward modernity and post-modernity, in search of new meanings of the real and the material. Through the study of (phyto)chemical process, the recording of oral history and the (re)use of cinematic heritage he explores alternative knowledge systems. In many of his works the rhythmical, painterly and performative qualities of the analogue film medium are foregrounded.
Karel Doing (1965, Canberra, Australia) is an independent artist, filmmaker and researcher. His interest in experimental film and expanded cinema is reframed within a critical approach toward modernity and post-modernity, in search of new meanings of the real and the material. Through the study of (phyto)chemical process, the recording of oral history and the (re)use of cinematic heritage he explores alternative knowledge systems. In many of his works the rhythmical, painterly and performative qualities of the analogue film medium are foregrounded.
