Mila Zuo is an Associate Professor in the Department of Theatre and Film at UBC, as well as the Graduate Advisor for the Cinema & Media Studies graduate programs. Her research areas include transnational Asian cinemas; film-philosophy; abject and enchanted epistemologies; star studies; digital and new media; and critical theories of gender, sexuality, and race and ethnicity. In addition to her scholarly work, Zuo writes, directs, and produces narrative films, visual essays, documentaries, and m...
Mila Zuo is an Associate Professor in the Department of Theatre and Film at UBC, as well as the Graduate Advisor for the Cinema & Media Studies graduate programs. Her research areas include transnational Asian cinemas; film-philosophy; abject and enchanted epistemologies; star studies; digital and new media; and critical theories of gender, sexuality, and race and ethnicity. In addition to her scholarly work, Zuo writes, directs, and produces narrative films, visual essays, documentaries, and music videos. Her award-winning short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. She is currently working on her first feature, Mongoloids, a hybrid docu-fiction project about the Chinese Cultural Revolution and its impacts across generations. This research creation work is supported by the Social Sciences and Humanities Research Council’s Insight Development Grant.
Mila Zuo is an Associate Professor in the Department of Theatre and Film at UBC, as well as the Graduate Advisor for the Cinema & Media Studies graduate programs. Her research areas include transnational Asian cinemas; film-philosophy; abject and enchanted epistemologies; star studies; digital and new media; and critical theories of gender, sexuality, and race and ethnicity. In addition to her scholarly work, Zuo writes, directs, and produces narrative films, visual essays, documentaries, and music videos. Her award-winning short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. She is currently working on her first feature, Mongoloids, a hybrid docu-fiction project about the Chinese Cultural Revolution and its impacts across generations. This research creation work is supported by the Social Sciences and Humanities Research Council’s Insight Development Grant.
