Natacha Atlas

Natacha Atlas (Arabic: نتاشا أطلس, natāšā ʔaṭlas, [nataːʃaː ʔatˤlas]; born 20 March 1964) is an Egyptian-Belgian singer known for her fusion of Arabic and Western music, particularly hip-hop. She once termed her music "cha'abi moderne" (modern folk music). Her music has been influenced by many styles including Maghrebain, hip hop, drum and bass and reggae. Atlas began her career as part of the world fusion group Transglobal Underground. In 1995, she began to focus on her solo career with the release of Diaspora. She has since released seven solo albums and been a part of numerous collaborations. Her version of "Mon amie la rose" became a surprise success in France, reaching 16 on the French Singles Charts in 1999. Her most recent creation Myriad Road was released on 23 October 2015. It was produced by French Lebanese jazz musician Ibrahim Maalouf. Natacha Atlas was born in Brussels, Belgium of Anglo-Egyptian parentage. Her British mother was raised Christian before adopting Buddhism in the 1970s. Her father, of Egyptian descent, was deeply interested in Sufi mysticism and the Gurdjieff philosophy of the Fourth Way. He also studied Chinese medicine and Taoism. Atlas was raised listening to eclectic music from both eastern and western traditions. Moreover, in the course of her diverse upbringing, the future performer learned to be tolerant of all religions. After her parents separated, Atlas went to live in Northampton, England with her mother. Atlas grew up speaking French and English, and later learned Arabic and Spanish. She sings in several languages, including modern colloquial Arabic, although she admits that she is not entirely at ease in it. Atlas returned to Belgium at age 24 and began her career with two jobs: belly dancing and being the lead singer of a Belgian salsa band. In April 1989, she made her recording début as guest vocalist on Balearic beat-band ¡Loca!'s "Encantador" (Nation Records). In 1991, Atlas co-wrote/recorded the ¡Loca! single "Timbal" and co-wrote/guested with Jah Wobble's Invaders of the Heart composing five tracks for their Rising Above Bedlam album (Oval Records). Through recording with ¡Loca!, she met Nation-labelmates Transglobal Underground (TGU), a British ethnic electronica band with a Middle Eastern/South Asian focus. At the time, TGU had a top 40 hit, "Templehead", and Atlas became their lead singer / belly dancer. Additionally in 1991, Atlas collaborated with Bauhaus/Love and Rockets/Tones on Tail guitarist and vocalist Daniel Ash on his debut solo album Coming Down. She contributed extensive vocal work as well as keyboards and bass guitar. Most of Atlas' earlier albums were produced by Tim Whelan and Hamilton Lee from Transglobal Underground. Diaspora (1995), Halim (1997) (in honour of Egyptian singer Abdel Halim Hafez), Gedida (1998) and Ayeshteni (2001). Atlas has always spoken her mind about the way both she and Transglobal Underground were seen by the UK press back in the late '90s/early 2000s. "Someone from the New Musical Express rang us about a feature we're to do with them and said 'We don't want it to be about the multi-cultural angle'. In other words that fad is over. And I'm personally insulted... what other angle is there for us?! I get sick of it all." ... Source: Article "Natacha Atlas" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Natacha Atlas (Arabic: نتاشا أطلس, natāšā ʔaṭlas, [nataːʃaː ʔatˤlas]; born 20 March 1964) is an Egyptian-Belgian singer known for her fusion of Arabic and Western music, particularly hip-hop. She once termed her music "cha'abi moderne" (modern folk music). Her music has been influenced by many styles including Maghrebain, hip hop, drum and bass and reggae. Atlas began her career as part of the world fusion group Transglobal Underground. In 1995, she began to focus on her solo career with the release of Diaspora. She has since released seven solo albums and been a part of numerous collaborations. Her version of "Mon amie la rose" became a surprise success in France, reaching 16 on the French Singles Charts in 1999. Her most recent creation Myriad Road was released on 23 October 2015. It was produced by French Lebanese jazz musician Ibrahim Maalouf. Natacha Atlas was born in Brussels, Belgium of Anglo-Egyptian parentage. Her British mother was raised Christian before adopting Buddhism in the 1970s. Her father, of Egyptian descent, was deeply interested in Sufi mysticism and the Gurdjieff philosophy of the Fourth Way. He also studied Chinese medicine and Taoism. Atlas was raised listening to eclectic music from both eastern and western traditions. Moreover, in the course of her diverse upbringing, the future performer learned to be tolerant of all religions. After her parents separated, Atlas went to live in Northampton, England with her mother. Atlas grew up speaking French and English, and later learned Arabic and Spanish. She sings in several languages, including modern colloquial Arabic, although she admits that she is not entirely at ease in it. Atlas returned to Belgium at age 24 and began her career with two jobs: belly dancing and being the lead singer of a Belgian salsa band. In April 1989, she made her recording début as guest vocalist on Balearic beat-band ¡Loca!'s "Encantador" (Nation Records). In 1991, Atlas co-wrote/recorded the ¡Loca! single "Timbal" and co-wrote/guested with Jah Wobble's Invaders of the Heart composing five tracks for their Rising Above Bedlam album (Oval Records). Through recording with ¡Loca!, she met Nation-labelmates Transglobal Underground (TGU), a British ethnic electronica band with a Middle Eastern/South Asian focus. At the time, TGU had a top 40 hit, "Templehead", and Atlas became their lead singer / belly dancer. Additionally in 1991, Atlas collaborated with Bauhaus/Love and Rockets/Tones on Tail guitarist and vocalist Daniel Ash on his debut solo album Coming Down. She contributed extensive vocal work as well as keyboards and bass guitar. Most of Atlas' earlier albums were produced by Tim Whelan and Hamilton Lee from Transglobal Underground. Diaspora (1995), Halim (1997) (in honour of Egyptian singer Abdel Halim Hafez), Gedida (1998) and Ayeshteni (2001). Atlas has always spoken her mind about the way both she and Transglobal Underground were seen by the UK press back in the late '90s/early 2000s. "Someone from the New Musical Express rang us about a feature we're to do with them and said 'We don't want it to be about the multi-cultural angle'. In other words that fad is over. And I'm personally insulted... what other angle is there for us?! I get sick of it all." ... Source: Article "Natacha Atlas" from Wikipedia in English, licensed under CC-BY-SA 3.0.