Tom Stafford is an Irish actor and accomplished sound professional with an extensive career in location sound recording. Before making his acting debut in An Taibhse (The Ghost) (2024), he worked on numerous film productions, specializing in sound mixing, recording, and editing across independent and genre cinema.
His credits include sound work on The House That Was Not (2024), Amongst the Wolves (2024), Where It All Began (2024), A Hollow Tree (2023), Pooka (2023), Fishing Poles (2023), Murder...
Tom Stafford is an Irish actor and accomplished sound professional with an extensive career in location sound recording. Before making his acting debut in An Taibhse (The Ghost) (2024), he worked on numerous film productions, specializing in sound mixing, recording, and editing across independent and genre cinema.
His credits include sound work on The House That Was Not (2024), Amongst the Wolves (2024), Where It All Began (2024), A Hollow Tree (2023), Pooka (2023), Fishing Poles (2023), Murder of My Mother (2023), Listen to Me (2023), The Lost Jedi (2022), The Sleep Experiment (2022), Black Eyes (2021), The Yellow Dress (2020), Bluebell (2020), Saving Grace (2019), Mother (2018), Dive (2018), Maeve and the Moon (2017), Bare (2017), and Don't Run (2016), among many others.
Stafford’s expertise in sound has contributed to a wide range of projects, from short films and independent productions to feature-length thrillers and horror films. His ability to shape immersive soundscapes has made him a sought-after collaborator, working across multiple departments in filmmaking. His transition to acting further highlights his versatility and deep understanding of cinematic storytelling.
Tom Stafford is an Irish actor and accomplished sound professional with an extensive career in location sound recording. Before making his acting debut in An Taibhse (The Ghost) (2024), he worked on numerous film productions, specializing in sound mixing, recording, and editing across independent and genre cinema.
His credits include sound work on The House That Was Not (2024), Amongst the Wolves (2024), Where It All Began (2024), A Hollow Tree (2023), Pooka (2023), Fishing Poles (2023), Murder of My Mother (2023), Listen to Me (2023), The Lost Jedi (2022), The Sleep Experiment (2022), Black Eyes (2021), The Yellow Dress (2020), Bluebell (2020), Saving Grace (2019), Mother (2018), Dive (2018), Maeve and the Moon (2017), Bare (2017), and Don't Run (2016), among many others.
Stafford’s expertise in sound has contributed to a wide range of projects, from short films and independent productions to feature-length thrillers and horror films. His ability to shape immersive soundscapes has made him a sought-after collaborator, working across multiple departments in filmmaking. His transition to acting further highlights his versatility and deep understanding of cinematic storytelling.
