Uta Erickson (who often used the stage names "Artemidia Grillet" and "Carla Erikson") was a Norwegian actress who was in many sexploitation films of the late 1960s. She starred in several provocatively titled films directed by Michael and Roberta Findlay, including The Kiss Of Her Flesh, A Thousand Pleasures, The Curse Of Her Flesh, and The Ultimate Degenerate. Erickson was also a favorite of directors Doris Wishman (Love Toy) and Barry Mahon (Sex Killer). Some of her films, notably Mnasidika we...
Uta Erickson (who often used the stage names "Artemidia Grillet" and "Carla Erikson") was a Norwegian actress who was in many sexploitation films of the late 1960s. She starred in several provocatively titled films directed by Michael and Roberta Findlay, including The Kiss Of Her Flesh, A Thousand Pleasures, The Curse Of Her Flesh, and The Ultimate Degenerate. Erickson was also a favorite of directors Doris Wishman (Love Toy) and Barry Mahon (Sex Killer). Some of her films, notably Mnasidika were arty enough to pass as the "low end" of an arthouse pairing with a film by a European auteur. Ms Erickson's current whereabouts, or even if she is dead, or alive, are unknown.
Uta Erickson (who often used the stage names "Artemidia Grillet" and "Carla Erikson") was a Norwegian actress who was in many sexploitation films of the late 1960s. She starred in several provocatively titled films directed by Michael and Roberta Findlay, including The Kiss Of Her Flesh, A Thousand Pleasures, The Curse Of Her Flesh, and The Ultimate Degenerate. Erickson was also a favorite of directors Doris Wishman (Love Toy) and Barry Mahon (Sex Killer). Some of her films, notably Mnasidika were arty enough to pass as the "low end" of an arthouse pairing with a film by a European auteur. Ms Erickson's current whereabouts, or even if she is dead, or alive, are unknown.
