Sinopsis
Perrone’s devotion to Pasolini has always been very clear. But the explicit homages in P3nd3jo5 and Ragazzi apparently weren’t enough: now a lookalike of the Italian director has turned up in Ituizangó.
Perrone’s devotion to Pasolini has always been very clear. But the explicit homages in P3nd3jo5 and Ragazzi apparently weren’t enough: now a lookalike of the Italian director has turned up in Ituizangó.